REVIEWS

Tosca

PHOTO BY LISA NG

Marsha Thompson, soprano, as Floria Tosca commands the stage from the very first scene. Her range as an actress is on full display as she embraces the full range of Tosca’s personality wholesale, from the jealous lover to the powerful heroine that draws all eyes at the powerful climax. Tosca is one of the most fascinating heroines in opera, and one can easily understand how the density of the plot can overwhelm the focus on the opera’s central character, but Ms. Thompson’s deep understanding of the character and plot allowed her to explore the role so naturally without losing the potency of the character. Puccini’s soprano moments are suffused with emotion and Ms. Thompson’s singing was simply enchanting, heartbreaking, and Herculean, especially when she sang “Vissi d’arte,” one of the crowning moments in a soprano’s career. No one could have sung it better.

Today y Mañana Review: Tosca

With a full but flexible soprano, and nimble negotiation of the pitch and rhythmic challenges, Marsha Thompson vividly personified the mother.

Driving While Black

PHOTO BY FREDDIE WATKINS

Sour Angelica

PHOTO BY MARIEDITH APPANAITIS

Soprano Marsha Thompson role début as Angelica demonstrated commendable comprehension of the part, communicated through singing that disclosed assiduous study of the score and immersion in the character’s devastating emotions. Thompson’s glistening top Cs expressed Angelica’s new commitment to reuniting with her son.

Joseph Newsome